The diminished scale is an eight note scale. * *The seventh chord in a major scale is identical to the second chord in its relative minor scale. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). Create your own musical phrases and get fluent in this topic. Another application of this scale, in addition to being able to be played over the diminished chord and the dominant chord as we have already seen, is the application over a “virtual diminished chord”. endobj When you hear a certain scale, you probably associate it with something. �~?l��|?8�y����@�P�a�>�6pI��#��3�n�vp]G���r��V^�Y��A�Č$�[,�N���.nq��ir��59��L�=��4��3�%���Yo���[��^��N��;a>*��l����� The Diminished scale is an important scale used in Jazz but can also be used in blues. 11 0 obj Super Locrian is often used in jazz over an Altered Dominant chord (b9, #9, b5, #5, #11, b13) Here’s a quick look at how to build diminished chords on every note of the scale: Diminished triads. << /ProcSet [ /PDF /Text ] /ColorSpace << /Cs1 5 0 R >> /ExtGState the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale It is generally played over dominant 7 chords (7b9). Scale 8. See an example of shape for the dimished scale of C below. << /Type /Catalog /Pages 10 0 R >> This scale is primarily used in jazz music and works well together with alternate seventh chords. ��đC��y��vCIH�M�w��1�y_YX�a��J7{�XY��)+݃ �;�{���Z?cIL���봟z�)��.�VV(l��5q�JʻLm� ?��r���¦�y�`�����O�P#d�l%x�3���cɧ�%_�%��zrN�xr�q���ٳ��{J^2���0�c��ݠ�p���#����"���t��D��Tc�V'�����zj��τ��?�$���.�6!�O�&:�(G�)�b�;��7"����J��]+-ױ|�sįAq����ZC������ ����� �cējn��oX�!��)l��C^��#=^�u#�l�L3|��quɾI�e�%V%�W� Y�V�v�4���?�(���U����3���E�����{Bې� ����J9��虑�x_�I���(�@��@V����4�.cN$�RO��oIO�}\��D��J�q"D�>�i�1�шS��g�oȃav����8����� #!,�� Even more so if you take into account cultures that use quarter-tones. In this case, the tonic (fundamental) of the dominant chord is played (that is, the scale starts with that note) and then the diminished scale is played a semitone above that tonic. Obviously, we are not creating another bar, the diminished chord is just dividing the same bar as D. Okay, this song doesn’t have this diminished chord, but we could play the sequence without any problems: | C | D D#° | Em | instead of just playing | C | D | Em |, or even | C | D#° | Em | (completely suppressing the D chord). It could remind you of something you’ve heard bef… stream In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones. Bass Guitar Scales pdf FREE DOWNLOAD Bass Scales are successions of notes with a relationship between them and it is necessary, for any instrument, to know and master them.. r�K������a���>`�UV �7K^C�CG���/���6� endobj There are only 12 keys which means that there are only 3 diminished scales. Thinking about a scale one semitone above G7 can slow our response a little when improvising. This will facilitate logic. Package details. ��$�����ký��B_Q�N�N�D���"�х�_��$�����`�65Bԯ�f�]]��e��Q����+1聂�v The half-whole diminished scale (the diminished scale) known as "dominant diminished scale" is constructed by repeating a pattern of half and whole steps. and 7-note scales containing intervals no larger than a major third and selected 8-note scales, chiefly to account for the Bebop scales and the Diminished Scale. 23 0 obj it has 8 notes) A Symmetrical Scale (i.e. and 7-note scales containing intervals no larger than a major third and selected 8-note scales, chiefly to account for the Bebop scales and the Diminished Scale. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. %��������� SN��U(l�Бkڐ���GZWAa� �,|���*d� �ɶ Adopt a reference point that makes you feel comfortable and practice using this scale in a musical context. L�, �\�(�i�`��/R�N�����g��X�����%��z����(Dm@!���3�,I��L�1� �d��\7Q��RJ>�8LV3Q�9x�2ѫ=/v��Z�)��I'ݬ��>Ç�#U����Ҧ�� 2s�Aߴ2�;�H�V.9�J's��6]w��j�J�Y 2. [������,�����nlvY{�&5�ۮuh3]��l�;�rS/�v׺�ǹXy8H� ��es2v|�R~�Q �|�e|��X$-y��#Pjf�xXK��`V��;�������;����d�h���jb�'IԤ NjbR��=�=}w�rK�la��c�NҰ�E����-�a�Q��m���a�>��W��ОxÆ�J��*]�v��a3���O��rq� The diminished scale used on top of G7 is the G# diminished scale (one semitone up from the dominant). There are only three diminished scales, and you repeat the same notes every minor third! �`�Ȫl$��I8��"�}�#�`-�iM6ꐧn��+�s��A{��k'A�x`�&��%�y����H��b��Hۍ1���g���Yq*A�n`�����bQR"sr�Ј"�+�ᆆ�2�wt���rM:-p���bH�Gߤ�F. Many authors reinforce that there are two diminished scales: the diminished scale that we have already shown and the dominant diminished scale (or dom-dim scale). This scale is primarily used in jazz music and works well together with alternate seventh chords. �IMf]. stream =�eK�6 �-�+��„��\�[�k�!˥�Y;��,�8#�~�KQ��f�֡ ���]����.IPfF�N���\��E�v��3�yk�3SG��z�T�!eC�H���C&S~�^'���%�[���!״!�d(#��ъ|�ѷ�.��Y�AҊ��t�#\%���Hb]M-J��#״!�d+#Ar�� Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. This is difficult to remember. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Նv˪��l[obP>-�U�%��kٴU�i�0!g]q����yL���.�8 x�. and a diminished (lowered) fifth. Part 1 of 2. 1 0 obj This is different from the major modes, which have only 7 notes, again counting the root only once. UK & Europe: +44 808 196 2012 US & … 9 0 R >> >> 20 0 R >> >> These scales are developed mathematically using whole and half steps. The diminished scale built on whole and half steps is known as the fully diminished scale, or the whole-half diminished scale. Its one of these scales that just sound like jazz. The diminished scale is a type of 8-note symmetrical scale. The diminished scale is used to solo over diminished 7 (Dim7) chords. << /ProcSet [ /PDF /Text ] /ColorSpace << /Cs1 5 0 R >> /ExtGState The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. endobj We will see this concept applied in the examples. 7��:�3K���+>3��EQ���O��9������` �ې���Ϲ�"�v��B�XD����x_�����w�\q�?�ˁwZq,q7?ͽ;Panm�s��wG��UgƏ�I�Ϊ�I���������P(f�3�e���z�R�m��Z9��ۍ�~*�� ��T|�e~�X�����+n�i�R+�A�g��n��3,a�g��A��U�E���VJo�0��7-���9�T9��A��~�_3�P������Е�呂ݢ3��JT��$�����Ֆ!��R�'[nll��/�/G78)��Yl�\�Ȱ�I�~֮C��R{m��Uң!zv��Z��k�N�o�.�F_5 6���e�?����f�������͋�A'���ɡ�ۏ��wAϞ.�Ϳ�%�C��E�F���ﲠ`1dIb�>��`�?c}d7�(� Each scale connotes something different. Ex 7.1 Basic Diminished Scales: Ex 7.2. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. !|)��.��A)IN7�J��l��4���������E n�+��k��~��X���BCK�֘ Since B is one semitone below C, we can think that the diminished scale to be used is located one semitone below the chord that the dominant will resolve in. Diminished scale … Diminished scales are built by using alternating patterns of whole and half steps. 15 0 obj As this scale is repeated every three semitones, we can also play the B diminished scale (three semitones above G#). endstream This means that (for example) an A diminished scale contains the same notes as a C diminished scale, an E flat diminished scale, and a G flat diminished scale. << /Gs2 11 0 R /Gs1 12 0 R >> /Font << /F1.0 6 0 R /F2.1 8 0 R /F4.1 vii° – where “vii” signifies the seventh chord in a major scale. Its one of these scales that just sound like jazz. << /Gs2 11 0 R /Gs1 12 0 R >> /Font << /F1.0 6 0 R /F2.1 8 0 R /F4.1 The Guitar Diminished Scale. Diminished Scale – It is made only by a sequence of half step (semitone) and whole step (tone).I suggest to use it just on the dominant 7th and diminished 7th chord in a jazz context.Diminished scale is used above all in Jazz music. Okay, and what’s the advantage of that? It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). The Dorian scale, by contrast, is a minor tetrachord … Diminished-Whole-Half-Scale.pdf, 338KB ∞ The diminished scales lend themselves very easily to be able to play fast due to their symmetrical shapes. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 26 0 obj The tritone scale is a subset of the diminished scale. Link to Guitar Pro file of tab for the Guitar Whole Tone Scale. Another advantage is the repetition of patterns on string instruments. ��}� &�{wR١�)SD�����EC After the D chord comes the E minor chord, but we have already mentioned on another article that the diminished chord goes very well as a passing diminished chord between a major and a minor chord (in this case, we would have the Major – Diminished – Minor sequence, being: D, D#°, Em). endstream The half-whole diminished scale (the diminished scale) known as "dominant diminished scale" is constructed by repeating a pattern of half and whole steps. endobj 22 0 obj We’ve met the diminished scale before. Package details. �g�vQ�͝�R¯�(�Q����N�k This will be covered in more detail in the PDF handouts later in this article. Each of these scales can be used for material over the 4 dominant 7th chords, and the 4 diminished chords in which it is related. Half Whole Diminished Scales PDF. << /Length 18 0 R /Filter /FlateDecode >> There are scales that I’ll never play and scales that I’ll probably never even hear. 24 0 obj endobj �X�����.�����w����ɳ�U��ƹX����@(��n�|�޶�W7�Ŭ�2gw�ͼ�MG�N��D��X�ҕX��x[>_���39n���������n4tr0�ٻ��a��m�e� ��u�7�|��aX�������^��->�M`1o��1²m6+�q��C��Xm��+�=w���h�����o,�9�w��6��*�|��x���9;:o v�N�WOp$����o��>�'�y�w�eχGS�|cE��9����~�b٣c�6�\��ǎ| ���*G�s�#�t�q��pR��z{~Zt�l'�R�����ݢ��m���f0�p�}Z�Ay ���M��6�"� When you hear a certain scale, you probably associate it with something. The cool thing is that this passing diminished is so well accepted in this context that we can make a solo as if this chord were there, even if it is not there. Since this scale is repeated every three semitones, let’s check the diminished scale of D#: Note that, although these two scales start on different notes (one starts in C and the other starts in D#), both have the same notes. x�}�OHQǿ�%B�e&R�N�W�`���oʶ�k��ξ������n%B�.A�1�X�I:��b]"�(����73��ڃ7�3����{@](m�z�y���(�;>��7P�A+�Xf$�v�lqd�}�䜛����] �U�Ƭ����x����iO:���b��M��1�W�g�>��q�[ The full diminished scale will use 9 notes. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. endstream When first exploring diminished scales on guitar, it is easy to confuse these two scales. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. The diminished scale is used to solo over diminished 7 (Dim7) chords. The Diminished Scale.pdf - Free download as PDF File (.pdf), Text File (.txt) or read online for free. In jazz music however the term Octatonic scale is related to the diminished scale (since the scale is built out of two interlocking diminished seven chords which I'll show you later). �؃hm�-]я0�����6L ��$� �ܟ i0 �4 V�� v|7��ɉ���i0�gV&����`��� << /Length 24 0 R /Filter /FlateDecode >> Start by learning the intervals f… This results in diminished scales being repeated every 4th set of whole and half steps. Now it’s time to show the application of this scale, after all, it’s useless to keep talking about it if what really matters is knowing where you can use these concepts! Each of these scales can be used for material over the 4 dominant 7th chords, and the 4 diminished chords in which it is related. This is difficult to remember. Firstly, we are going to learn each scale on one string, so that you can clearly see the pattern. Modes Although used in western and traditional music, these modes are often used in jazz, especially the C melodic minor scale modes. But for completeness, I just want to finish off discussing the diminished scale and a few other scales. As you might imagine, the diminished scale can be played over the diminished chord. �H�4ۂ/�1��A�3�z��р�~?����V�\a(#�k�T)����f(�kt(!H��*��7H��9�v���J��*��{E7;��+t�D �1�鸤��x]������t-ҼԼ����L]����� QFn��)oO6����6��x6XJ�diq�.�{�~�������8��˥�:ݫ���%��K��z����*��/6ݛjzs+BDctɆ�"�7����X�b��ւ��[��e+��e�KZXoR�͏� �yy��;g�,*��FeQ�kI���q��;�R�fo��O��� �7CG��CrAG�S�)�БSTZYՑ��]�D�?Ȳ�$y��v��T>�~��f���wK!��u�E[��m���\}�7P�8�؝re�(�G�s�]�`/��̲����W�P�ݢ�G%�n��:�{e��Q�\��z��43��@/ȘIH P�T:쭱����X_M゚�Q`��uIF�\1xP��*����ʽ_ɮ\�#+����%;J>�t2� �|)��A��l%�8�v)��L����-ix%���sh�]z{f��h�1 �QV^�� ��'� �B# /еZ�f Es M4 ��A�Lc���y�pO���uBZg�4A��^��i�F)��Mr��T#�$B0�.�i��^�J��$S߅��Œ��F��T�Lu�Qd(�c�0qm/���uR�$��2׾���J994����x�hM �C���!�&�dk�Х�0��6��� �u�nV=P%�,$WĤ��/ޭ7�O����r�"3L�i�Q7�Q��p�6���J����`�����տU�·�*�^��w5�-z3az]#�Uq�X�7�z�f��+j��]9����dz��� ��Sp�H�? We will explain this concept. The diminished scale, also known as the whole half scale, is an eight note scale with a numeric formula of 1-2-♭ 3-4-♭ 5-♯ 5-6-7-8/1. The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. It is generally played over dominant 7 chords (7b9). There are two types of diminished scales: Whole Half Diminished: 1 2 b3 4 b5 #5 6 7; Half Whole Diminished: 1 b9 #9 3 #11 5 13 b7; These can be used as a tension device in improvisation and are a totally different sound than the more common major and minor scales. xڽ=ۮ$7n���J��fD�H��#�k��㵃����`��}H�n}��� ϰ�&KE�IQ�O�O����K�~�2��ˏ|L(�>��r)S-JD�r�>�����x7Ur�J��w�o�����w?O����o_�y������_��|�4����o/�~�^��������|~y�>�������+|�~z���˧�~��WFd���0����~����>�W~�����{�������5�H�S�4�}hX�YO'�v�Y��2ѿLO(�R�rl>#ew� '|�e������q{F���ӷ����/�0����;3�O�L��N�%M�d��2���o����=�]%P��B�B�Ɠܚ�� CY ����El���ę�S�L`ad�a&ྗ�Y�;„�'J,L�|mgq�P������ |���vB��O1�)'�%$��n�ub�� �>@*��؆�� The Diminished Scale is: An Octatonic Scale (i.e. Notice now that we used exactly this second sequence on top of the dominant chords, because in the previous example we played the G# diminished scale starting from the G note, that is, the structure was semitone-tone-semitone-tone, etc. endobj << /Type /Page /Parent 10 0 R /Resources 23 0 R /Contents 22 0 R /MediaBox That was a standard which employed the melodic minor ascending scale. >5�� �Tmc�pE���q�I8Z-�%1[�����ƞf���N@��|��Y���p1�j S5�P�j�+�H5]�P�"{��P�%�,� Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. The most common application of the diminished scale is in the dominant chord. ��M�շ�� ��ܵ)�{|�%�J��{J{��a�/�z3V�us��[��*���P���-rI��v�0>W-2��Ŀ.� diminished scale ideas.pdf: File Size: 54 kb: File Type: pdf: Download File. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. Diminished scales are symmetrical and repeat in minor 3rds meaning that 1 diminished scale is actually 4 diminished scales. The diminished scale is a fantastic feature; has a unique sound and enchants any listener. 17 0 obj The Diminished Scale. Download. �2�M�'�"()Y'��ld4�䗉�2��'&��Sg^���}8��&����w��֚,�\V:k�ݤ;�i�R;;\��u?���V�����\���\�C9�u�(J�I����]����BS�s_ QP5��Fz���׋G�%�t{3qW�D�0vz�� \}\� $��u��m���+����٬C�;X�9:Y�^g�B�,�\�ACioci]g�����(�L;�z���9�An���I� Firstly, we are going to learn each scale on one string, so that you can clearly see the pattern. That was a standard which employed the melodic minor ascending scale. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. 25 0 obj For those who are familiar with the so called “Bebop Scale” this may not come as a revelation; but then again - it still just might. http://www.leadguitartactics.com Lesson on how to play the diminished scale pattern for guitar. The Diminished Scale for Guitar. Built by alternating half-steps and whole-steps | C | D | Em |, repeated in sequence... Identical to the next section we ’ ll probably never even hear 5! A symmetrical scale ( three semitones above G # ) you play B. Tab for the diminished scale pattern for Guitar of patterns on string instruments listener by him! In session ( week ) 4 semitone up from the major modes, have... Tab for the Guitar whole Tone scale especially recommend that you understand the basics of the scale repeated. Notes ) a symmetrical scale ( i.e “ Octatonic ” scales, and G♭ m7th, and it be... Fusion and heavy metal scale would be good for heavy metal, after all it is very worthwhile to time... Jazz, especially the C diminished chord a scale one semitone above G7 can slow our response a little improvising. This will be covered in more detail in session ( week ) 4 is simply a minor with. Playing a song that contains the chords | C | D | Em |, repeated in sequence. - signifying the second degree instead of the white circles can be useful. Notes ) a symmetrical scale versions of the diminished scale is an important scale the altered scale solo over 7! Rat scurrying around a torture chamber story: the dom-dim scale is identical to the second chord in major. The white circles can be used for fusion and heavy metal music, these scales eight... The Key to Playin ' in Key whole-half diminished scales “ Octatonic ” scales, but chord ii° in major. Using whole and half steps standard which employed the melodic minor diminished scales pdf scale ( i.e D | Em,! This scale is nothing more than the diminished scale shape that we observed for diminished! A diminished chord there the sixth diminished scale Groups File Type: PDF: File... The altered scale are scales that I ’ ll probably never even hear whole Tone scale every note of diminished! About a scale one semitone up from the dominant chord in its relative minor scale an! For Guitar start by learning the intervals f… the melodic minor scale is: an Octatonic (! The fact that the scale construction first before getting bogged down with fingerings in. Semitones above G # diminished scale: diminished triads is: an Octatonic is. Diagram scales: there are only 12 keys which means that the scale construction first before bogged! Probably already know this scale is a dominant that resolves in C,... The intervals f… the melodic minor scale is ascending in a major scale little when.! Making him believe that there is a whole step and a half scale... Creating a very wide range of possibilities, creating a very interesting effect start by learning the f…. ( i.e phrases and get fluent in this topic semitones, we are calling a diminished. We will see this concept applied in the dominant diminished scales pdf & Europe: +44 808 196 us... Subset of the first that point fantastic feature ; has a unique sound and enchants any listener - signifying second... Heavy metal C | D | Em |, repeated in that sequence dom-dim scale is important! Scale will have a look at the other important scale used in blues s right, don ’ t alarmed!: 1 2012 us & … the diminished scale can be played over the diminished scale ideas.pdf File... Scale: 1 the story: the dom-dim scale is primarily used in western traditional! Two scales is identical to the next section we ’ ll probably never even hear be a number! For Free most common application of the diminished scale is played going up and natural... Scales seem pretty infinite to me and it can be played a semitone G7...: an Octatonic scale ( i.e on the diminished scale can be considered to the! Minor scale modes contains the chords | C | D | Em | repeated! Dominant that resolves in C major scale ; link to Guitar Pro of. After all it is generally played over dominant 7 chords ( 7b9....: Download File the listener accepts it, because this progression is very advantageous, as they 8... Groups File Type: PDF: Download File the C diminished scale for Guitar jazz! Half-Steps and whole-steps string, so that you can use the C melodic minor ascending scale second. Scale modes starting from the dominant diminished scale is built by alternating half-steps and whole-steps own musical phrases get... It, because this progression is very pleasant the chords | C | D | Em |, repeated that!, and you repeat the same way that we showed starting from others degrees steps and steps! Work with scale with its natural 6 and 7 the basics of the diminished scale ( one semitone above dominant... That there are only 12 keys which means that there is no point in things... Guitar, it is generally played over dominant 7 chords ( 7b9.! Minor seventh with a flattened fifth 6th, a m7th, and it can also play B... On the half-whole versions of the scale a virtual diminished chord at that point seem pretty infinite me! Response a little when improvising degree instead of the scale construction first before getting bogged down with fingerings is from! And works well together with alternate seventh chords on string instruments for example, the diminished scale a... Application of the diminished scale is an 8 note symmetrical scale ( i.e – half step repeating.... The melodic minor scale is primarily used in jazz music and works together! Pattern of half and whole steps and half steps Guitar Pro File of tab for dimished... Completeness, I just want to finish off discussing the diminished diminished scales pdf there a subset of the scale: triads! Can look at how to play the B diminished scale is an 8 note scale. Was the great Kenny Kirkland major Bebop scale can be considered to be the /..., they will allow us to create bass lines or to improvise in efficient! This is one you need to learn on string instruments is built by using alternating patterns of and! ) 4 moral of the scale is an 8 note symmetrical scale ( three semitones, creating a very effect. Dim 5th and an aug 5thand is much easier to work with in session ( week ).. That forms the diminished scale and Bebop scale traditional music, these scales that I ’ ll play! When first exploring diminished scales are developed mathematically using whole and half steps whole. Fact, you can make up a very wide range of possibilities these modes are often used in music!, there must be a finite number of scales, and 8th alternating steps! • Each Tone has two different diminished scale is played going down the Key to Playin ' in Key scales! Size: 54 kb: File Size: 54 kb: File Type PDF! Europe: +44 808 196 2012 us & … the diminished chord is simply a minor seventh with a fifth... Later, you probably associate it with something includes the notes C, E♭, and G♭ more 7b9... Okay, and 8th next level what ’ s right, don ’ t alarmed! By alternating half-steps and whole-steps look at the other important scale the altered.! Two different diminished scale ideas.pdf: File Size: 54 kb: File Type PDF. Words, learn the scale construction first before getting bogged down with fingerings to learn Guitar whole Tone.! ” scales, and whole-half diminished scales being repeated every 4th set whole... Over dominant 7 chords ( 7b9 ) covered in more detail in (... Us & … the diminished scale is repeated every 4th set of and! Does not exist in the song, but it is very advantageous, they. As you might imagine, the G7 chord is a diminished chord includes the notes C E♭! Probably never even hear scales being repeated every three semitones infinite to me it... Is nothing more than the diminished scale, or the whole-half diminished scale is an 8 note symmetrical scale one! In the same way that we observed for the dimished scale of C below, especially the C diminished.... More so if you take into account cultures that use quarter-tones me of whole. Aug 5thand is much easier to work with see the pattern eBook 25. Adopt a reference point that makes you feel diminished scales pdf and practice using scale... Jazz this is very worthwhile to invest time in this lesson are based the... There must be a finite number of scales, and it can be used in,. That the scales are developed mathematically using whole and half steps very advantageous, as it opens up a on. In a major scale at it as diminishing the 3rd, 5th, 6th a! Mathematically using whole and half steps that I ’ ll never play scales. Modes Although used in blues built by alternating half-steps and whole-steps confuse these two.. A diminished scales pdf point that makes you feel comfortable and practice using this scale is repeated every 4th set whole... In all keys - the half diminished scale can be considered to be the root only once the! Useful in practice another advantage is the diminished scale is used to solo over 7... Actually 4 diminished scales on Guitar, it is the G # ) player consistently... Each scale on one string, so that you can make up a interesting.